Reflection from a dance performance

What makes a movement meaningful?

When does the dance—or a specific movement—become the Fool (Narr)?The music drives; movement becomes secondary.
Playfulness unfolds. The body’s limitations are made visible, ultimately, in the dance. The contrast with slow-motion movements. The entire performance is abstract art in motion; the music seems to live a life of its own. Brush-stroke gestures, single sweeps.
A child jumps in the audience, imitates. Perhaps, in its most childlike form, the dance performance should call forth active doing rather than the spectator’s passivity.


Le Scénario av Philip Berlin

Ähnliche Beiträge

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert